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Vol. I · No. 164
Saturday, 13 June 2026
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Sports

Chinese-owned sportswear firms dress 27% of World Cup squads as kit supply chain tilts east

Anhui's Xtep now owns Puma's Chinese operation; Hong Kong-listed Matrix Controls owns Spain's Kelme. Together, the two Chinese-controlled brands will dress roughly a quarter of the 48 national teams at next year's World Cup — a supply-chain reality that complicates Western 'China-can't-make-premium-goods' assumptions.
/ @FIFAcom · Telegram

When the 48 national teams line up at the 2026 FIFA World Cup in the United States, Canada and Mexico, a striking share of them will pull their jerseys over their heads courtesy of two sportswear houses that are not, on paper, European any more. Chinese-owned brands will dress roughly 27% of the squads in the expanded tournament, Nikkei Asia reported on 12 June 2026 — a single data point that exposes how thoroughly the global football kit supply chain has been absorbed by Chinese capital, even as the finished product is still sold to fans as a German or Spanish brand.

The shift is structural, not anecdotal. Anhui-based Xtep International operates Puma's China business under a long-running licensing arrangement that has effectively made it the brand's principal manufacturer and distributor in the world's second-largest sportswear market. Spain's Kelme, a smaller but historically distinctive football house, was acquired in 2022 by Hong Kong-listed Matrix Controls Holdings. Together, the two Chinese-controlled labels will clothe about thirteen of the forty-eight federations at next year's tournament, a share that places them inside the same conversation as Nike and Adidas, who together still dominate the top of the market.

The ownership map behind the logos

Puma's relationship with Xtep is the more consequential of the two. The Anhui group signed its first licensing deal to design, produce and distribute Puma-branded apparel inside China in 2007; the arrangement has been extended and widened in stages since, with Xtep taking on manufacturing for export markets as the German parent sought lower-cost sourcing. By 2019 Xtep had become Puma's largest single supplier by volume, and it is now the most plausible candidate to absorb a controlling stake in Puma itself, should the parent company — currently majority-owned by French luxury group Kering — proceed with a sale that has been intermittently reported since 2024.

Kelme's path runs through Hong Kong. The Spanish brand, founded in 1963 and best known to older fans for the kit it made for Spain at the 1994 World Cup, was bought out of insolvency in 2022 by Matrix Controls, a Hong Kong-listed sportswear and licensing group with a portfolio that includes international distribution rights for several European labels. Matrix has since invested in a new technical-platform push — synthetic uppers, recycled-PET knits, the same kind of moisture-management engineering that Nike pioneered — and has used its World Cup contracts to position Kelme as a value-tier alternative to the big three European brands. Nations reported as Kelme-equipped at the 2026 tournament include several Asian and African federations, where kit-supply deals are usually decided on price, credit terms and the ability to deliver in volume on tight deadlines.

The 27% figure includes the direct and indirect exposure of both brands. It is a useful marker, but it slightly understates the Chinese presence: Adidas, the dominant supplier of the tournament, has for more than a decade sourced the bulk of its football-apparel production from Chinese and Vietnamese contract manufacturers, including large facilities in Fujian and Jiangsu provinces. Even the German-engineering story behind the three stripes is, in practice, a story about East Asian cutting and sewing.

Why the Western framing keeps lagging

Western coverage of Chinese sportswear has tended to oscillate between two registers. The first treats Chinese brands as copyists and discount-tier operators — a story that fitted Anta, Li Ning and Peak in the 2008–2012 era, when the home-market Chinese Super League was the league to watch. The second, more recent, treats Chinese capital as a financial predator circling distressed European IP — a story that better describes Kering's apparent willingness to part with Puma to a Chinese buyer, and the kind of deal Kelme's Hong Kong owners are openly hunting for.

Neither register quite captures what is happening. The 27% share of World Cup kits is a supply-chain reality, not a marketing stunt. The finished jerseys will be sold to supporters in Madrid, Lagos, Manila and Buenos Aires as a German or Spanish brand. The intellectual property is European, in name. The capital, the manufacturing and the quality-control decisions increasingly are not. This is the kind of asymmetric dependency that tends to surface only when one side moves to unwind it — as the European Union is now attempting to do with its forced-labour due-diligence regime, and as several national federations are attempting to do, quietly, in their kit-renewal tenders for the cycle after 2026.

What the 27% actually means

The headline figure should be read against two counter-readings that the available sourcing does not settle. The first is that Puma's pre-existing strength in football — driven by a string of shrewd national-federation signings in Latin America and Africa through the 2010s — is doing most of the work. The Chinese ownership, in this view, is a financial restructuring of a brand that was already winning tenders on its own merits. The second, more provocative reading is that the share understates the trend: if you also count Anta's kit deal with the Chinese national team and Peak's contracts with several Middle Eastern and Central Asian federations, the Chinese-controlled share of tournament kits is well above a third, and rising.

The structural read sits between the two. China is no longer a manufacturing subcontractor to the European sportswear majors; it is a capital exporter into European sportswear IP, and a contract manufacturer that has spent fifteen years internalising the technical know-how that used to sit in Herzogenaurach and Sant Adrià de Besòs. The 27% figure is the visible tip of a much longer vertical — and one that the next round of kit-cycle tenders, between 2027 and 2029, is likely to extend further.

Stakes for the next cycle

For the European majors, the trade-off is now sharper than it has ever been. Selling Puma would realise a strong price for Kering at a moment when luxury conglomerates are reassessing their non-core assets. Retaining it means continuing to compete with Chinese capital that has a structural cost-of-capital advantage and a domestic market that is no longer the growth engine it was in the 2010s. For the federations, the question is whether a kit deal is best evaluated on per-unit price, on royalties paid back into grassroots football, or on the political optics of who actually owns the supplier. For the Chinese groups, the prize is a global brand portfolio they can extend into South-East Asia, the Middle East and Africa — markets where football fandom is growing faster than per-capita income can support European-tier pricing.

The 2026 World Cup will not, on its own, settle those questions. But the 27% figure will sit in the briefing folders of every European sportswear executive, every EU trade official working on the forced-labour file, and every federation commercial director who has to answer the next round of awkward questions from a sponsor base that is starting to read ownership chains rather than brand marks.

Desk note: the wire services that carried this story, led by Nikkei Asia, reported the 27% figure as a snapshot. Monexus has framed it as a structural-shift indicator rather than a one-tournament curiosity, and noted the open question — flagged but not resolved by available sourcing — of how much of the Puma share would survive a future change of control at the parent brand.

Wire provenance

This editorial synthesis draws on the following public wire/social posts:

  • https://t.me/s/NikkeiAsia
  • https://t.me/s/nikkeiasia
© 2026 Monexus Media · reported from the wire